Double Doily bench by Jennifer Cecere, Whitehall and Water Streets, Lower Manhattan, New York, USA

Three photos of a white metal bench cut in the lacy pattern of a paper doily, standing on a grey paved plaza in Lower Manhattan. The large top photo shows the round, scalloped backrest full of flower-like rosettes, with a red bistro table and big white planters of red, orange and purple flowers behind it. The bottom left photo shows the bench from the side, with the seat and back both shaped like a folded doily. In the bottom right photo a woman in a turquoise sari sits on it while a man stands nearby, with red tables and chairs, brick buildings and an office tower behind.
Artwork FileNew York · USA
Gone2014

Double Doily

Jennifer Cecere · “Double Doily”, bench sculpture for the NYC DOT Urban Art Program, 2013 · Plaza at Whitehall Street and Water Street, Lower Manhattan, New York

Photos as published on Street Art Utopia, which credits them to the blog NYC ♥ NYC (post of 11 July 2013)

  • #JenniferCecere
  • #DoubleDoily
  • #Doily
  • #PublicBench
  • #NYCDOTArt
  • #DowntownAlliance
  • #WhitehallStreet
  • #LowerManhattan
  • #NewYork

“Double Doily” is a double-sided bench in the shape of a lace doily by the New York artist Jennifer Cecere. The NYC Department of Transportation and the Downtown Alliance placed it on the plaza at Whitehall and Water Streets in Lower Manhattan, where the city’s record has it from 10 June 2013 to 1 July 2014. Cecere wanted to bring the feel of handmade domestic craft into a city where almost everything is machine-made. The bench later turned up in Newport Beach, California, and outside MoMA PS1 in Queens.

5 things to know

  1. A doily you can sit onThe artist calls it a “double-sided, doily-shaped bench”. NYC DOT: “The intricate pattern, laser cut into the metal, improves the aesthetics of the surrounding area.” Jennifer Cecere · NYC DOT on Flickr
  2. Handmade in a machine-made cityNYC DOT’s album explains the idea: “She feels it is important to provide a feeling of handmade craft like the doily into the city where almost everything within the cityscape is machine made.” The blog NYC ♥ NYC quotes her aim “to create a feeling of handmade craft in the built environment highlighting forgotten traditions.” NYC DOT on Flickr · NYC ♥ NYC
  3. It started with a $1,500 grantIn September 2012 amNY reported that Cecere’s grant from the Lower Manhattan Cultural Council “only amounted to $1,500 — a small portion of the $10,000 she needed to fund her installation”, and that the grant made it easier to get funding from the city Department of Transportation. It was then slated for December 2012. amNY
  4. About a year on the plazaThe NYC DOT Temporary Art Program record lists “Double Doily” as a Community Commission with the Downtown Alliance at Water St. & Whitehall St., installed on 10 June 2013 and removed on 1 July 2014. DOT’s own photos of it are dated June 2013 and January 2014. NYC Open Data · NYC DOT on Flickr
  5. A bench that travelsCornell’s architecture, art and planning college wrote in 2022 that the bench “has provided a unique, if transient, resting place near New York’s Museum of Modern Art (MoMA) PS1, in a public plaza in Lower Manhattan, and in Civic Center Park in Newport Beach, California.” Newport Beach lists it in its sculpture exhibition from September 2014 to August 2016. Cornell AAP · City of Newport Beach · Jennifer Cecere

Check-in guide

📍
The pedestrian plaza at Whitehall Street and Water Street in Lower Manhattan (NYC DOT on Flickr, Jennifer Cecere, amNY).
🧭
The Maps button opens the point given in the NYC DOT Temporary Art Program record (40.702414, -74.012782) (NYC Open Data).
🪑
Do not expect to find the bench here. The same record gives 1 July 2014 as its removal date, and the bench was later shown in Newport Beach, California, and at MoMA PS1 in Long Island City, Queens (Cornell AAP).

Sightings

  1. 20125 Sep

    amNY: slated for December

  2. 201310 Jun

    Installed, per NYC DOT

  3. 201317 Jun

    NYC DOT photo

  4. 201319 Jun

    NYC DOT photo

  5. 201311 Jul

    NYC ♥ NYC post

  6. 20143 Jan

    NYC DOT winter photo

  7. 20141 Jul

    Removed, per NYC DOT

  8. 20268 Oct

    In SAU “Now That’s Clever”

Every stamp links to the dated source. Green stamps are NYC DOT photos on Flickr, dated by the camera (taken 17 and 19 June 2013 and 3 January 2014). The NYC ♥ NYC post has its own photos but no camera date, so it is amber. The installation and removal dates come from the NYC DOT Temporary Art Program record on NYC Open Data. The SAU stamp shows the photos above again and says nothing about the plaza today.

On the record

amNY5 September 2012

L.M.C.C. grants help spark and sustain Downtown art

“Jennifer Cecere’s new art piece, “Double Doily,” is slated for installation at Whitehall and Water Streets in December.”

By Sam Spokony. The article says the installation “will comprise large aluminum sculptures in the shape of a folded lace doily”, that the Department of Transportation maintains the plaza, and that Cecere planned to keep it there for at least a year.

Read

NYC ♥ NYC11 July 2013

Double Doily Sculpture

“Jennifer Cecere created a doily-inspired public sculpture in the plaza at Whitehall & Water Streets in Lower Manhattan.”

Blog post by Noel Y. C., with photos of the bench on the plaza. It ends: “It is a unique, beautiful and functional structure in the pedestrian plaza.”

Read

Cornell AAP15 September 2022

Jennifer Cecere

“Her double-sided, doily-shaped bench, appropriately named Double Doily, has provided a unique, if transient, resting place near New York’s Museum of Modern Art (MoMA) PS1, in a public plaza in Lower Manhattan, and in Civic Center Park in Newport Beach, California.”

By Elisa Gallaro, in the alumni archive of Cornell’s College of Architecture, Art, and Planning, where Cecere took her B.F.A. A photo caption calls Double Doily “a white water-jet-cut steel bench”, shown in front of MoMA PS1 in 2017.

Read

The facts

Artist
Jennifer Cecere, a New York artist (NYC Open Data, NYC DOT on Flickr, Jennifer Cecere, amNY) Checked
Title
“Double Doily”; NYC DOT’s album also calls it “Doily Bench” (NYC Open Data, NYC DOT on Flickr, Jennifer Cecere) Checked
Programme
NYC DOT Urban Art Program, listed as a 2013 Community Commission, presented with the Downtown Alliance (NYC Open Data, NYC DOT on Flickr) Checked
Funding
A 2012 Manhattan Community Arts Fund grant of $1,500 from the Lower Manhattan Cultural Council, towards the $10,000 she needed, plus Department of Transportation funding (amNY) Reported
Place
The plaza at Whitehall Street and Water Street, Lower Manhattan (NYC Open Data, NYC DOT on Flickr, Jennifer Cecere, NYC ♥ NYC) Checked
On view
Installed 10 June 2013, removed 1 July 2014 (NYC Open Data); NYC DOT photos taken 17 June 2013 to 3 January 2014 (NYC DOT on Flickr) Checked
Form
A double-sided bench shaped like a doily (Jennifer Cecere, Cornell AAP, NYC DOT on Flickr) Checked
Material
Before it was made, amNY reported “large aluminum sculptures” (amNY); NYC DOT says the pattern was “laser cut into the metal” (NYC DOT on Flickr); Cornell AAP calls it “a white water-jet-cut steel bench” in 2017, and the artist calls it “a water jet sculpture” at MoMA PS1 (Cornell AAP, Jennifer Cecere) Conflicting
Later
Newport Beach Civic Center Park, California, September 2014 to August 2016, on loan (City of Newport Beach, Jennifer Cecere); then Greenstreets at MoMA PS1, Long Island City, photographed there on 15 November 2016 (Jennifer Cecere). Cornell AAP describes these as the same bench (Cornell AAP) Reported
Status
Gone 2014 from Whitehall and Water Streets: the NYC DOT record gives the removal date as 1 July 2014 (NYC Open Data) Checked

Related

  • On Street Art Utopia: Now That’s Clever (9 Photos) (8 October 2026), where the photos above appear as work no. 7.
  • NYC DOT’s Flickr album of the bench on the plaza, nine photos. Flickr
  • The NYC DOT record also lists Cecere’s “St. George Doily” at the St. George Ferry Terminal, Staten Island (2011), and “Antimacassars” on the FDR Drive barriers (2010). NYC Open Data
All sources (9)

This work

After New York

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